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From San Francisco…
Nickolas Losada: I have great news! I got offered a spot at the San Francisco Ballet residence for the year and a full tuition scholarship to continue my training. And I’m staying for sure!!!!
From Orlando…
Diana Lopez: The Orlando Ballet Summer Intensive ended on Friday and I had an amazing time! I finally did have class with Julie Kent and Robert Hill, the Artistic Director of Orlando Ballet! We performed our jazz piece on Thursday and our repertory piece, which was from Swan Lake, on Friday. Then I said goodbye to all my teachers and friends, and my parents picked me up. I really enjoyed the summer intensive and am very grateful for this opportunity!
From New York City…
Emily Rivera: My week was great! We finally received our costumes for our piece. As the show approaches, I feel myself growing more anxious and excited. I really can’t wait for the show next weekend! This past weekend my uncle picked me up and drove me to Rhode Island to visit my family who lives up there. It was sooooo nice seeing my aunts and uncles and cousins, since it’s been almost five years since I’ve last seen them. I was so happy and excited
one more week left in New York. I’m sad
Michelle Russell: This week has been great. For one thing, I finished my online classes, so I am free of that burden for the rest of the summer. This week I had technique class with Christopher Dodler, who also teaches at Southern Methodist University. His class was unlike all the other graham technique classes that I have ever had. Not only was there the basic graham technique, but he also incorporated some other techniques such as release, Taylor, and Cunningham. In addition to having class with Christopher Dodler, I also began learning the Bride’s solo from Martha Graham’s Appalachian Springs. I was also fortunate enough to go see Nimbus Dance Works and Taipei Crossover Dance Company perform at the Perridance Center, where we saw some New World and Miami Conservatory alumni (Masha Maddux and Jacqueline Bulnes performed, while Lloyd Knight watched in the audience).
Jacoby Pruitt: This week has flown by. I can’t believe this was my second to last week. I feel like I just flew in yesterday. I am totally loving NYC every second I am here! I have learned so much in the time I have been here and I am so thankful!! This week has been great. I got to see some friends and family and have really just had fun. I also got to see the Ailey Company perform for FREE in Central Park as part of their summer stage series. It was such a great experience. On Sunday I had a tech rehearsal for my upcoming shows where I get to perform two different dances
!!! I also got to hang out with my new friends and go to Central Park and just enjoy life. THIS WEEK HAS BEEN AMAZING.
From Lewiston, ME…
Stephanie Fuentes: My first week has passed in Bates and I couldn’t have asked for more! I have a very rigorous schedule and my roommate and I are the youngest in the program. Monday through Friday I have Ballet, Modern, Modern, and Repertoire. I’m the only one in the program who is taking 4 consecutive dance classes which is great but very tiring. There isn’t much to do around here in Maine, but the program is so challenging and the teachers are so great that on the weekends all you want to do is rest! The ages of the students in my class generally range from 21 to 24. This makes things more challenging for me because the other dancers are more experienced. They are from all over the world, and some are already in companies (the Varone Company for example). I finish each class exhausted but I personally just can’t hold back because I want to get the most out of the program, especially since I was given a full scholarship to attend. I have two more weeks to go but my passion for movement keeps growing. I also continue to grow from this experience of dancing with dancers who are older…. much older than me!
From Becket, MA…
Natasha Williams: It was an honor to be one of the 25 students accepted into the first ever tap program at Jacob’s Pillow. Beginning in 1931, Jacob’s Pillow is the longest running dance festival in the US. The tap program was led by Dianne Walker. It was an honor to take class with her, as she is one of the pioneers in the revival of tap dancing. Focusing on proper technique, her classes were filled with personal anecdotes and explanations of the history of tap—something most tap teachers don’t even know about. She also went over new ways of teaching the steps ourselves which was especially valuable to me as a tap teacher myself. Dianne’s teacher was the famous Leon Collins. Out of respect for him, she taught us his Routine 2. She felt it was necessary to pass this particular routine on correctly, so we would have it “in our pocket,” as she kept saying. I plan on passing this routine on to my students as authentically as it was passed on to me. There were many other great tappers present as well, including Derick Grant, an original company member of Bring In ‘Da Noise, Bring In ‘Da Funk, and Tasha Lawson, the Artistic Director of Tri-Tone Productions. She taught me about body percussion, something I have never done, but can now incorporate into my classes. We also had the privilege of working with the great Harold Cromer, a true legend in the tap world since the 1930’s who taught us his “Opus one”. This is another of the classic tap dances that will be a part of my curriculum for my students. In this same week we also worked with Ray Hesselink whose style is Fred Astaire and Ginger Rogers inspired. His approach is extremely comical and welcoming, showing me that no matter how difficult the work is, it can always be fun an enjoyable. Finally, we worked with Paul Arslanian, the program’s music director who co-founded the Jazz Tap Ensemble and has worked with many of tap’s greatest dancers. He taught a great deal about improv and how to relate tap dancing to music. This element of music is largely disregarded in many tap classes, but now I understand it even better and can really apply it to my classes and my own technique. In addition to the wonderful faculty, there were many other aspects to the Pillow that made it so memorable. Part of our duty there was to usher performances, so I had the privilege of seeing works from Les Ballets de Montreal, Camille A. Brown and Dancers, MONGER by Barak Marshall, and Shantala Shivalingappa. These were some of the most creative pieces I have ever seen, and they all impacted me in different ways. I feel immense gratitude toward Jacob’s Pillow for the friends I made, the work I studied, and the endless possibilities it has shown me—I am truly transformed, and can’t wait to continue working as a tap dancer and teacher.
From Charlotte, NC…
Javier Aranzales: Well, well, well. Everything here in North Carolina is beyond what I could have expected! We’ve been on a couple of excursions already. The first week we went to the dance studios in downtown Charlotte (which are beautiful!!) and saw fireworks from the full glass windows. The second week we went to Carowinds, a huge theme park with lots of roller coasters and a water park. The park is actually right in between North Carolina and South Carolina, so at one point I was actually in two states at once. The third week (this past Sunday) we went to Lake Norman. This was a first for me because I’ve never been in a lake. We canoed and swam a lot! After, we went to this cute little ice cream shop. This Sunday we are going to Southpark Mall. I hear it’s beautiful!! Hopefully I can find good and cheap souvenirs. NCDT’s summer intensive show is next Friday and in rehearsals we are starting to just have run throughs. I’m so excited for these last few days but I’m sad that it’s coming to an end. I’ve truly had such a great time here—I’m enjoying every single second! I currently have a food baby from all the food I ate for dinner. (We have a buffet for every meal and I couldn’t be happier) I’m off to go digest my food and then try to go find a treadmill somewhere. Until next week (:
Sharyn Richards: It’s already been 3 weeks and classes are still amazing. Our level 3 class had the opportunity to take class with Jean-Pierre Bonnefoux, the director of North Carolina Dance Theatre. He came all the way down from Chatauqua in New York to teach. And he spoke to us during our lecture class about dance and certain characteristics necessary to make it in the dance world. One needs to be disciplined, have confidence in themselves while they are dancing and not be intimidated by others, be able to learn things quickly, dance with the music. These were other things as well, but those were the basic qualities. I feel like now I’m dancing differently after hearing him talk about those things
So it’s getting closer to the performance and now we’re starting to focus on rehearsing a bit more. We have 3 pieces: an original ballet piece choreographed by our own Gerard Ebitz from New World School of the Arts, a ballroom piece by Vivienne Ramsey and a jazz piece choreographed by Madeline Guerdat. The music for the ballet piece is by Tchaikovsky and is called Souvenir de Florence. It has no introduction and everything is continuous. I really like it so far. The ballroom piece is rumba and I love it because I’ve never done anything like it before. And we just have a blast in the jazz piece
Other than dance, we went to the lake and had a blast on a canoe (and someone’s boat flipped over :O). Also, we went to the movies at the student union and watched The Last Song, and went on our daily trip to target for the week. Basically I just hung out with my suite mates in our dorm and we continued to get closer until it was time for Ashley and Michelle to leave on Saturday
We also saw the show during lectures for the people who were only staying 3 weeks. It’s weird how close people can get in such a short amount of time just from living with each other, because we weren’t this close back home in Miami. This has definitely been an unforgettable summer so far. Hopefully things will still continue to be amazing and I’ll be checking in next week!






